Thursday, 22 January 2026

 



Eden Gardens & Arthur Gilligan

 

Eden Gardens achieved its legendary status because of the credentials of its groundsmen. Certainly not for any player or official as the publicity machinery will have you believe.

Almost 100 years ago was established the iconic status of Eden Gardens. In December 1926 the England (then MCC) captain Arthur Gilligan said aloud that this ground was at par with Lord’s and MCG. The saga began…

But we have gone far ahead of our story. In the winter of 1926-27 for the first time ever a representative MCC cricket team from England arrived in India. The brilliant England all-rounder Arthur Gilligan was the captain and the strong team included quality cricketers of the calibre of Andrew Sandham and Maurice Tate. The former England captain Gilligan had basically come to report back to MCC the actual standard of cricket played in India.

At Mumbai (then Bombay) for the Hindu team CK Nayudu, an erect ebony warrior of steel, welcomed them with an innings that included 13 sixes! The Indian spectators on the periphery of the Bombay Gymkhana ground went into raptures as the whip-lashing of the colonial masters took place.

In MCC’s following encounter against an All-India XI, one Sanskrit professor from Pune – by name Dinkar Balwant Deodhar – batted for four hours to register a patient 148 as India took the lead against the excellent bowling attack. This match at Bombay Gymkhana ground from 16 to 18 December, 1926, is on record as India’s first unofficial Test match.

MCC came to Kolkata (then Calcutta) over the new year of 1927 to play the 2nd of the unofficial Tests. So impressed was Gilligan with the lush  green turf at Eden Gardens that he personally congratulated the chief curator Faguram, “This ground is among the best in the world, at par with Lord’s and MCG.” The billiard-table top outfield and the pitch with a light green hue completely floored the magnanimous gentleman. The saga of the iconic Eden Gardens began from that day.

Arthur Gilligan was highly impressed to find the sterling qualities that the Indians had at cricket. They could hit hard and often as well as they could defend for hours with impeccable temperament and technique. The cricket facilities and the Indian hospitality had few equals.

 He realized there and then that India was ready for international cricket as a Test-playing nation. Arthur Gilligan stressed on the need for a central body to control cricket in India. His well-considered suggestion led to the formation of the BCCI in 1928.

Arthur Gilligan came from a distinguished family with his education extending to Cambridge University. Deeply respected for his liberal views and credentials, the brilliant Test captain was extremely popular for his sportsmanship and lack of bias.

It was Gilligan’s unbiased observation that led to the iconic status of our favourite Eden Gardens and the formation of BCCI.

 

Thursday, 15 January 2026

 


Olympic and Hollywood Hero

India’s first Olympic medal was won by a Calcuttan, Norman Pritchard. India’s first Hollywood hero was also a Calcuttan, Norman Trevor. However, both the Normans happened to be the same individual.

Born in Calcutta of British parentage in 1875, Norman Pritchard studied at St Xavier’s School and College. Stayed at Lansdowne Road till 1915 and was in the thriving jute industry in Bengal around the late 19th century. An Indian national by birthright and citizenship.

At the Paris Olympiad of 1900 Pritchard won two silver medals, 200 metres flat race and 200 metres hurdles. Those days sportsmen went to Olympics on their own as there were no national organizations to select or fund them.

While at Calcutta Xavier’s, he was an outstanding football player as well, achieving the first hat-trick in India. He was also the IFA secretary for a period.

One of my own gurus, the late lamented Cecil Leeming a priest of English parentage at Calcutta St.Xavier’s, always maintained that he would never have considered himself to be anything but a ‘pucca’ Bengali, “My dad used to say that Pritchard loved his luchees, kawsha-mangsho and misti-doi. A typical Bong he was!”

Later Pritchard went off to Britain to act in Shakespearean dramas on the London stage, where he changed his name to Norman Trevor. Here too he was an immediate success.

Next step was to be at Hollywood, where again his multi-faceted talents brought him the rare honour of being cast as a hero in numerous silent movies of those bygone days. Thus he became the first Indian to be a Hollywood film hero.

Thus he achieved the unique fame of being the first Olympian medalist to become a Hollywood movie hero. Unfortunately his over-exuberant life style led him into penury and worse. Expired in 1929.

Unfortunately film historians in India have never given this man his due recognition. No one in the film circles seems to have heard of him! The worlds of sports and films in modern India have no time for their own history and heritage. Pathetic scenario indeed! Old folks are best left buried…

 The name of Norman Pritchard should be written in letters of gold in the annals of Indian sport and movie history.

Sunday, 11 January 2026

 Olympic Games & Cricket

The game of cricket and the Olympic Games do not gel. Just once at the Paris Olympiad in 1900 a cricket match was played between Britain and France. Britain was represented by Devon & Somerset Wanderers CC and France by members of the British Embassy based at Paris! Never again was such an absurd experiment encouraged.

But there happened to be an England cricketer who went on to win an Olympic medal. Ironically in boxing, a sport as far from cricket as possible. Sedentary cricket and super-fast boxing certainly make strange partners!

JWHT Douglas joined Essex just after leaving school in 1901. The young batsman began with an unusual record of scoring two zeros on his county cricket debut! As if this was not enough, he got another zero in his 3rd innings. Thereafter he settled down to a normal career at cricket.

In the meantime the tough 26 year-old man appeared in the London Olympic Games of 1908 and defeated his more fancied opponent Reginald Baker of Australia in the final to claim the gold medal in the middle-weight category. An Olympic gold medal in boxing for a cricketer!

In 1911 Douglas went to Australia with Pelham Warner’s England (then MCC) cricket team. As Warner fell sick, Douglas was asked to lead the team. Believe it or not, that was his Test debut as well! Douglas lost the 1st Test but went on to win the series 4-1 thereby helping England to regain the Ashes.

Douglas represented England in 23 Tests, leading in 18 of them. Won and lost 8 matches each. He was a tough, vigorous player who would bat, bowl and field with passion and energy. The Australian crowd expanded the initials of his name into ‘Johnny Won’t Hit Today’ because of his ultra-defensive batting approach.

Combining an Olympic gold medal in a body-contact sport with the sleepy approach of Test cricket captaincy, Douglas had an exceptionally eventful life. In death, too, at just 48 he left behind a most unusual occurrence.

 In 1930 Douglas and his father were on a business trip when their steamship collided with another in very poor visibility near Denmark. Both were thrown overboard by the impact. Trying to save his father from drowning, it was reported that the junior Douglas too expired leaving the sporting world stunned.

No other cricketer has ever been able replicate an Olympic gold medal with the nation’s cricket leadership. An exceptional sports personality was our John William Henry Tyler (JWHT) Douglas.

Wednesday, 7 January 2026

 


Nobel Prize & Cricket

Generally former first-class cricketers are relegated to the background in the appointment of coaches, selectors and commentators at the international level. Even the print and electronic media feel that former international players are more knowledgeable than players who have played only at the first-class level. Former first-class players are treated as distant, unworthy acquaintances.

However there is one distinct sphere where the first-class group has the upper-hand on their international peers. The honour of winning a Nobel Prize has never been achieved by a Test cricketer. However, one first-class player has the unique distinction of winning the highly coveted award.

The year happened to be 1969 when the Nobel Prize winner was Samuel Barclay Beckett. He won the prestigious honour in Literature. Born at Dublin in 1906, the former first-class cricketer died at Paris on 22 December, 1989, much loved and respected around the literary world.

An Irish by birth, Samuel Beckett was an internationally acclaimed author, playwright, poet and novelist. Wrote both in French and in English. His literary and theatrical works feature tragic-comic episodes in life coupled with literary nonsense. Very much like our own genius Sukumar Roy of Abol Tabol fame. Beckett was among the most influential writers of the 20th century.

Beckett’s famous trilogy happens to be Waiting for Godot, Murphy and Moloy. He was at Trinity College of Dublin University for two years, 1925 and 1926. He did his schooling in Dublin.

Samuel Beckett had very little pretension to cricketing fame. Left-handed batter, he also bowled left-arm medium at gentle pace. His just two first-class matches fetched him 35 runs in 4 innings and he conceded 64 runs without a wicket.

But the superlative writer was indeed extremely lucky to be considered a first-class cricketer. He represented Dublin University in two matches, both against Northamptonshire, once in 1925 and another the following season in 1926. He opened the batting and the bowling for the University team on both occasions.

Wisden Cricketers’ Almanack, considered to be the Bible of Cricket, acknowledges that Dublin University had gained first-class status for only three seasons. This recognition gained by Dublin University is rather unusual as in Britain only Cambridge University and Oxford University cricket teams are considered to be of first-class status.

Luck or not, the fact remains that a former first-class cricketer, by name Samuel Barclay Beckett, did win the enviable Nobel Prize for Literature in 1969. He happens to be the only cricketer ever to have won the highest literary honour in the world.

 Thank God, he was only a first-class cricketer, and no more!

Thursday, 1 January 2026

 





Bande Mataram & Cricket

Bande Mataram is in the news. Cricket always is. The twain – the highly inspiring ode and the crazy game – once did meet and cause an everlasting flutter. British Raj’s favourite sport had a very deep influence on Bharat Mata’s national song. Amazing, yes; but true.

In the early 1870s Bankim-babu was a highly placed government official as the Deputy Magistrate of Brahmapur (Baharampur) in Bengal. On 15 December, 1873, a drama unfolded which was to have wide-reaching influence on India’s nationalist movement. The Indian DM was seated inside an enclosed palanquin as the vessel-carriers took a short-cut through a field in the then cantonment area where some Britons were playing cricket.

One British player, Colonel Duffin by name, was so furious at the intrusion of the palanquin on the field that he vigorously pushed the passenger in full view of the players and spectators. Bankim Chattopadhyay was not a man to take an injustice lying down. He approached the court with a charge of assault. Although the British judge realized the crime committed, he did not want to punish his countryman. Instead he requested Bankim-babu to withdraw the allegation and settle the dispute through mediation.

Highly principled Bankim Chattopadhyay agreed on one condition that Duffin would apologize in full view of the hundreds of Indians who had gathered at the hearing. To save himself from a prison sentence, Duffin had no other option. He shook Bankim-babu’s hand saying, “With the same hand now I extend my sincere apologies to you, Sir.”  The multitude went into raptures.

The field known as Barrack Square or Parade Ground still exists. In 2007 the place was recognized as a heritage venue. In 1993 the Bengal-Assam Under-16 Vijay Merchant Trophy cricket match was held on this ground. I happened to be the Bengal coach.

Even as a government administrator, Bankim-babu was always a social activist of the highest order. Moreover he was an exceptional writer and edited a magazine named Bongo Darpan. Most of his essays reflected his own wide experience of people and places; issues and incidents. This particular incident left an indelible mark on the multi-dimensional personality. He began to write against the British Raj more often and with more venom to inspire generation of freedom fighters.

One day the magazine Bongo Darpan required some more written material to fill space. The working editor asked for an article and BC promised to write one that very day. In the meantime the working editor saw a poem on a piece of paper lying on the Bankim-babu’s desk. Promptly he read the piece and mentioned that the poem was good enough for the moment.

Immediately Bankim-babu took away the piece of paper and told him not to worry at all. The genius concluded by saying that after his death the patriotic Indians would learn to appreciate the sentiment involved in the poem, where Sanskrit and Bengali were beautifully twined.

What a prophecy it turned out to be. The awe-inspiring words “Bande Mataram” became the clarion call of thousands of Indian freedom fighters around the country. The lyrics were an ode to his Motherland. In 1882 Bankim Chandra Chattopadhyay included the poem in his book Ananda Math, a novel based on the Sannyasi Movement in India against the British crown.

To me Bankim Chandra Chattopadhyay will always remain a Rishi in the most appropriate sense of the term. His immortal ode Bande Mataram would probably have materialized anyway, but the strange encounter with cricket surely had a highly catalytic moment.

 

Monday, 23 October 2023

 


My idol Bishen

 


“Whatever touched his heart, unloosened his tongue” is to paraphrase a quote of political scientist Wayper on Jean Rousseau, the legendary political philosopher and social activist. In a nut-shell that is the apt description of my Bishen. Bishen happens to be the Rousseau of the world of cricket.

 

Much lauded and more maligned, my Bishan was not an individual who would run away from challenges fearing loss of image or whatever. At the first hint of injustice, without a care for the morrow Bishan, like Rousseau, would be the first to raise his voice and the first into the scene of battle. If need be, he would go ahead alone and not look around for support, exactly as Rabindranath Tagore had visualized: Jodi tor dak sunay keo na ashey, tobay ekla chalo ray (If nobody answers your call, do it alone).

 

Bishan Bedi was the synonym for high moral principles. At the same time a direct antithesis of tact. He would not deviate into diplomacy for the sake of sacrificing truth. No one – not even his sworn enemies – can ever accuse him of hypocrisy. He was highly proactive for any just cause. 

 

Admittedly over the years he has paid a heavy penalty for this admirable quality of his. But he would not have had it otherwise. Fear of authority never crossed that raised turban of this proud Sikh of the martial race.

 

It is to his immense credit that as a cricket captain he inspired a host of young players to attain heights beyond their inherent abilities. He gave his team-mates freedom and respect. He fought tooth and nail for them. He left his stamp of character with every act of his. A man Swami Vivekananda would have been proud of.

 

But he was a terrible judge of people. He hated flatterers and fiends but that was precisely what he eventually had beside him always. Invariably he was left stranded by the very men he had helped to find moorings in cricket as well as in life. People, who benefited immensely from him, made dirty noises invariably behind his back.

 

Again to his credit, he had no time for his critics or for prima donnas. He treated all men as equals. No wonder it was under his leadership that the young Indian brigade put up a rare show of fortitude as they chased over 400 runs to win a Test match. This was at Trinidad in 1976 against the likes of Holding, Roberts and company at a time when the West Indies avalanche crushed all obstructions to smithereens.

 

He was man of very high idealism. Once in 1979 at Sahiwal he forfeited an ODI match to Pakistan. When he found that the Pakistani umpires were not following the spirit of the noble sport by allowing bumpers beyond limit, Bishan decided to close the innings and consequently to forfeit the match!

 

On another occasion he declared India’s innings closed at Kingston in Jamaica in 1976 when the West Indies fast bowlers launched a bumper-attack aiming at the body of the Indian batters. A distinct case of non-violent resistance that would have made one MK Gandhi glow in pride.

 

Bedi’s candid logic was that cricket was no war, just a game. The moment he realized that the umpires were unwilling to use their discretion and allowed the conventional tradition of the noble game to be trampled upon, the patriotic man decided that he and his countrymen would not be a part of the fracas.

 

In time the ‘spirit of cricket’ code became a vital part in the MCC Laws of Cricket to enable umpires and match referees to take strict actions. Unfortunately the man, whose daredevilry made the idea of the code possible, never got any credit for it. Not even a mention for his proactive contribution.

 

Bedi, the supreme classical stylist was nature’s gift to cricket. To him the game came much ahead of petty considerations of victory and defeat. To him the end did not justify the means. Nothing, just nothing could shake him away from the firm resolve that cricket was a game for the mentally tough who could take the rough with the smooth. But it was a game nevertheless and certainly no war.


 

His open personality and liberal views invited confrontation. Bishan crossed swords with authority not because he relished duels but because they gave him little option. People in power could not tolerate his courage, his convictions. Even players whom he had nursed and nurtured stayed away from him lest they got branded. When he took on the influential DDCA and put his foot down very vehemently, yet again he showed the world his courage in the face of odds. Never bothered to curry favours with the Establishment, neither BCCI nor ICC.

 

Bishan could indeed be a very hard task-master, more so to his own self and to his own mates. He would brook no compromise. Inevitably enough in a scenario short on principles, the man of principles found himself marginalized. Throughout his active cricket career and beyond he had to carry a very high burden for his non-compromising stance.

 

If in life he was in perpetual hurry, at the bowling crease he was an exact antithesis. From a rhythmic classical pose – a model for sculptors – the bearded ‘sardar’ would tantalizingly tease. For him flight did not mean merely tossing the ball up. His flight was a deceptive trajectory that would curl in mid-air; aerial geometry perplexing the best of batters. The arc would curve variable paths at his beck and call.

 

When people thought that one-day cricket had no place for spinners, he enjoyed a hearty laugh when those supple fingers of his produced a match analysis of 12-8-6-1. Against East Africa in the Prudential World Cup of 1979. But knowing the man, I am certain that he would have preferred to bag a few more wickets in the process.

 

Bishan belonged to a period when Indian spinners were doing magic with the ball in hand. They were genuine spinners. Men who made the ball rotate on flight. Not the kind to trundle slow stuff and create an impression of being spinners. No, no, far from it. Bishan's contemporaries believed a spinner should be able to turn even on a billiard table-top. And that was precisely what they achieved.

 

They relished the friendly rivalry and banter among themselves. They were beyond comparison. They complimented and contrasted among themselves. Yes, they were lucky to have spinning tracks at home in the 1970s, but what about their successes abroad? On the hard sun-baked pitches of Australia as well as on the grassy tracks in England and New Zealand? Actually Bishan and his spinning-companions never bothered about surfaces and conditions to display their skills.

 

On the last day of December 1966 aBedi made his Test debut at the iconic Eden Gardens against Garfield Sobers' side. Just a few weeks earlier he had created a wonderful impression while bowling against the tourists for the all-India combined university side as well as for the Board President's XI.

 

Thankfully a liberal-minded captain like Tiger Pataudi realized the worth of the gem placed at his disposal, carefully gave it shape and polish. But did not unnecessarily interfere and allowed him full freedom to develop his art and personality.

 

This was just the kind of mentorship that Bishan needed: a guiding hand without unnecessary curbs. And this was the kind of guidance Bedi himself would give to youngsters when he was the captain of India, North Zone and Delhi.

 

When Bishan began his tryst with Test cricket there were established left-arm spinners in India with impeccable credentials like Padmakar Shivalkar and Rajinder Goel. But the moment the young sardar went left-arm over-the-wicket, he went over his generation of left-arm spinners.

 

 Such was the subtlety of his free-flowing action that people who had come with sardonic smiles were made to sit up and take notice. Even old-timers, highly critical of modern men, had to nod their heads in appreciation. They realized that they were witnessing a classical charmer in action.

 

As captain he did wonders for Delhi and North Zone teams. He made them believe in themselves. In his time Delhi and North Zone were feared teams and a whole lot of outstanding cricketers came into national reckoning. Instilled confidence into them and allowed them to blossom. Bishan's major contribution was that he guided young cricketers to believe in their own selves.

 

******

 

Bishan Bedi was a pioneer in many respects. He was among the first Indians to come from an unfashionable city (Amritsar) to become an international cricket legend. He was among the first to break the stranglehold of Bombay who monopolized the domestic Indian cricket championships. He was most surely the first in northern India to help the deserving regional youngsters to find their feet in the uncertain world of Indian cricket.

 

He was the first among our national selectors who had the courage to identify and select ‘horses for courses’ when it came to choosing the national teams. And most importantly he was the first to vehemently protest at the international stage when the game of cricket was reduced to a street-fight.

 

However, all these impeccable pioneering qualities do little justice to this ubiquitous personality. Unique though those attributes were, he was primarily an artiste. As with all genuine people of art he was a philosopher and a social activist.

 

Even Bishan’s critics will admit that the turbaned Sikh had tremendous faith in himself. His confidence level and the sense of self-respect were exemplary. Invariably enough, he was always fighting for a selfless cause, however difficult it might appear to be.

 

During the course of his life’s journey, he trod on many toes. Powerful, influential ones. But he had no regrets. Never bothered about who or how many were with him. He was always a singular man with a definite purpose. If no one came to assist, he would go forward alone without bothering about the consequences.

 

His best quality was that he could be your dearest friend and at the same time your prime adversary. Depending totally on the issue at hand. This sterling quality comes only to a very few. Thankfully Bishan had loads of it. This was the characteristic that kept him apart from most others.

 

Magnanimous to a fault, Bishan had the knack of applauding an opponent for an exquisite stroke, even off his own bowling. I can vouch as a recipient. He was known to go across to the opponent’s dressing room for a chat. These came naturally to him for he enjoyed companionship.

 

He was the opposing captain when I made my first-class debut against North Zone at Feroz Shah Kotla in 1972. We won the very low-scoring encounter but not once did I see him lose his magnanimous bearing. If he inspired his own mates, he inspired me no less as a man and as a captain.

 

Never saw him lower his high moral code to take an undue advantage, even if it was legal and available. Never saw him lose his cool and composure on the field. Never saw him lose his dignified presence on or off the field.

 

But he would be the first to object if he found any wrong being done. Tony Greig and John Lever got a taste of his medicine in 1976 when they were illegally applying some artificial substance to the ball. Bishan was forever a patriot. The so-called professionalism of the mercenary never crossed his mind as Northamptonshire CC cut short his contract because of this incident.

 

India’s first series victory in 1969 was not taken seriously because at the time New Zealand was considered to be a weak opposition. But their ‘home’ conditions the Kiwis were a formidable lot. Tiger Pataudi’s men did wonders with Bedi and Prasanna among the principal wicket-takers. A major turning point of Indian cricket was the twin overseas victories of Wadekar’s men in West Indies and England in 1971. Bishan was a prominent contributor on both tours.

 

Even after retirement, his contribution was impeccable. Bedi took the initiative to be the chief architect who chose the 1983 world cup squad. For the first time India sent a team with the ‘horses for courses’ policy. Brilliant fielders, genuine swingers, lion-hearted batters brought forth a stunning result beyond all comprehension.

 

Salute to our national selectors where Bishan along with Chandu Borde and Ghulam Ahmed played a very prominent role for their unbiased, non-provincial approach. The east zone and central zone representatives were absent at the selection committee meeting! The appointment of Maan Singh as manager was a master-stroke as Maan’s personality and integrity played a crucial role during the campaign.

 

Bishan Bedi was born 50 years too late. His ideologies, his mannerisms, his conduct were of an earlier generation when values had some value. He was a complete misfit of his contemporary times and beyond. He was aghast at the dreadful cronyism and the hypocrisy around him. Frustrated, he could not afford to keep silent.

He became a rebel because of the prevailing circumstances; not because he loved rebellion.

 

Unfortunately, Bishan Bedi and players of his artistic ilk have always been judged on calculators. Although Bishan’s statistical figures are of the highest category contributing towards many distinguished Test victories, yet it is primarily his artistic talents that have delighted generations of cricket connoisseurs.

 

 

Over to 1980 at Eden Gardens. Bengal was hosting Delhi in a Ranji Trophy quarter-final duel. Star-studded Delhi with 11 international players defeated a young Bengal side in a close-contested match. Bishan and I were the rival leaders. After the match, Bishan came to our dressing room and said, “Gallant fight-back, lads. All the best.” Smiled at me, “Raju, despite being the highest scorer in the match, you are in the losing team. That’s the irony of life.” What a lesson in the easiest of languages from a most magnanimous gentleman.

 

The magical rhythm of his twinkling toes, the slow curve of his arms, the subtle wait, the trademark thumb impression on the ball of the non-bowling arm and the impassive vein gave him a halo that sent shivers of excitement to those fortunate enough to have seen him in action.

 

He was primarily an artist with the cricket field as his canvas. There were no high-fives, no vulgar gestures. The artist was content to accept the applause with a disarming smile. That was and still very much remains my Bishan Singh Bedi in excelsis…

 

 

 

 


My idol Bishen

 

“Whatever touched his heart, unloosened his tongue” is to paraphrase a quote of political scientist Wayper on Jean Rousseau, the legendary political philosopher and social activist. In a nut-shell that is the apt description of my Bishen. Bishen happens to be the Rousseau of the world of cricket.

 

Much lauded and more maligned, my Bishen was not an individual who would run away from challenges fearing loss of image or whatever. At the first hint of injustice, without a care for the morrow Bishen, like Rousseau, would be the first to raise his voice and the first into the scene of battle. If need be, he would go ahead alone and not look around for support, exactly as Rabindranath Tagore had visualized: Jodi tor dak sunay keo na ashey, tobay ekla chalo ray (If nobody answers your call, do it alone).

 

Bishen Bedi was the synonym for high moral principles. At the same time a direct antithesis of tact. He would not deviate into diplomacy for the sake of sacrificing truth. No one – not even his sworn enemies – can ever accuse him of hypocrisy. He was highly proactive for any just cause. 

 

Admittedly over the years he has paid a heavy penalty for this admirable quality of his. But he would not have had it otherwise. Fear of authority never crossed that raised turban of this proud Sikh of the martial race.

 

It is to his immense credit that as a cricket captain he inspired a host of young players to attain heights beyond their inherent abilities. He gave his team-mates freedom and respect. He fought tooth and nail for them. He left his stamp of character with every act of his. A man Swami Vivekananda would have been proud of.

 

But he was a terrible judge of people. He hated flatterers and fiends but that was precisely what he eventually had beside him always. Invariably he was left stranded by the very men he had helped to find moorings in cricket as well as in life. People, who benefitted immensely from him, made dirty noises invariably behind his back.

 

Again to his credit, he had no time for his critics or for prima donnas. He treated all men as equals. No wonder it was under his leadership that the young Indian brigade put up a rare show of fortitude as they chased over 400 runs to win a Test match. This was at Trinidad in 1976 against the likes of Holding, Roberts and company at a time when the West Indies avalanche crushed all obstructions to smithereens.

 

He was man of very high idealism. Once in 1979 at Sahiwal he forfeited an ODI match to Pakistan. When he found that the Pakistani umpires were not following the spirit of the noble sport by allowing bumpers beyond limit, Bishen decided to close the innings and consequently to forfeit the match!

 

On another occasion he declared India’s innings closed at Kingston in Jamaica in 1976 when the West Indies fast bowlers launched a bumper-attack aiming at the body of the Indian batters. A distinct case of non-violent resistance that would have made one MK Gandhi glow in pride.

 

Bedi’s candid logic was that cricket was no war, just a game. The moment he realized that the umpires were unwilling to use their discretion and allowed the conventional tradition of the noble game to be trampled upon, the patriotic man decided that he and his countrymen would not be a part of the fracas.

 

In time the ‘spirit of cricket’ code became a vital part in the MCC Laws of Cricket to enable umpires and match referees to take strict actions. Unfortunately the man, whose daredevilry made the idea of the code possible, never got any credit for it. Not even a mention for his proactive contribution.

 

Bedi, the supreme classical stylist was nature’s gift to cricket. To him the game came much ahead of petty considerations of victory and defeat. To him the end did not justify the means. Nothing, just nothing could shake him away from the firm resolve that cricket was a game for the mentally tough who could take the rough with the smooth. But it was a game nevertheless and certainly no war.


 

His open personality and liberal views invited confrontation. Bishen crossed swords with authority not because he relished duels but because they gave him little option. People in power could not tolerate his courage, his convictions. Even players whom he had nursed and nurtured stayed away from him lest they got branded. When he took on the influential DDCA and put his foot down very vehemently, yet again he showed the world his courage in the face of odds. Never bothered to curry favours with the Establishment, neither BCCI nor ICC.

 

Bishen could indeed be a very hard task-master, more so to his own self and to his own mates. He would brook no compromise. Inevitably enough in a scenario short on principles, the man of principles found himself marginalized. Throughout his active cricket career and beyond he had to carry a very high burden for his non-compromising stance.

 

If in life he was in perpetual hurry, at the bowling crease he was an exact antithesis. From a rhythmic classical pose – a model for sculptors – the bearded ‘sardar’ would tantalizingly tease. For him flight did not mean merely tossing the ball up. His flight was a deceptive trajectory that would curl in mid-air; aerial geometry perplexing the best of batters. The arc would curve variable paths at his beck and call.

 

When people thought that one-day cricket had no place for spinners, he enjoyed a hearty laugh when those supple fingers of his produced a match analysis of 12-8-6-1. Against East Africa in the Prudential World Cup of 1979. But knowing the man, I am certain that he would have preferred to bag a few more wickets in the process.

 

Bishen belonged to a period when Indian spinners were doing magic with the ball in hand. They were genuine spinners. Men who made the ball rotate on flight. Not the kind to trundle slow stuff and create an impression of being spinners. No, no, far from it. Bishen's contemporaries believed a spinner should be able to turn even on a billiard table-top. And that was precisely what they achieved.

 

They relished the friendly rivalry and banter among themselves. They were beyond comparison. They complimented and contrasted among themselves. Yes, they were lucky to have spinning tracks at home in the 1970s, but what about their successes abroad? On the hard sun-baked pitches of Australia as well as on the grassy tracks in England and New Zealand? Actually Bishen and his spinning-companions never bothered about surfaces and conditions to display their skills.

 

On the last day of December 1966 Bishen Bedi made his Test debut at the iconic Eden Gardens against Garfield Sobers' side. Just a few weeks earlier he had created a wonderful impression while bowling against the tourists for the all-India combined university side as well as for the Board President's XI.

 

Thankfully a liberal-minded captain like Tiger Pataudi realized the worth of the gem placed at his disposal, carefully gave it shape and polish. But did not unnecessarily interfere and allowed him full freedom to develop his art and personality.

 

This was just the kind of mentorship that Bishen needed: a guiding hand without unnecessary curbs. And this was the kind of guidance Bedi himself would give to youngsters when he was the captain of India, North Zone and Delhi.

 

When Bishen began his tryst with Test cricket there were established left-arm spinners in India with impeccable credentials like Padmakar Shivalkar and Rajinder Goel. But the moment the young sardar went left-arm over-the-wicket, he went over his generation of left-arm spinners.

 

 Such was the subtlety of his free-flowing action that people who had come with sardonic smiles were made to sit up and take notice. Even old-timers, highly critical of modern men, had to nod their heads in appreciation. They realized that they were witnessing a classical charmer in action.

 

As captain he did wonders for Delhi and North Zone teams. He made them believe in themselves. In his time Delhi and North Zone were feared teams and a whole lot of outstanding cricketers came into national reckoning. Instilled confidence into them and allowed them to blossom. Bishen's major contribution was that he guided young cricketers to believe in their own selves.

 

******

 

Bishen Bedi was a pioneer in many respects. He was among the first Indians to come from an unfancied city (Amritsar) to become an international cricket legend. He was among the first to break the stranglehold of Bombay who monopolized the domestic Indian cricket championships. He was most surely the first in northern India to help the deserving regional youngsters to find their feet in the uncertain world of Indian cricket.

 

He was the first among our national selectors who had the courage to identify and select ‘horses for courses’ when it came to choosing the national teams. And most importantly he was the first to vehemently protest at the international stage when the game of cricket was reduced to a street-fight.

 

However, all these impeccable pioneering qualities do little justice to this ubiquitous personality. Unique though those attributes were, he was primarily an artiste. As with all genuine people of art he was a philosopher and a social activist.

 

Even Bishen’s critics will admit that the turbaned Sikh had tremendous faith in himself. His confidence level and the sense of self-respect were exemplary. Invariably enough, he was always fighting for a selfless cause, however difficult it might appear to be.

 

During the course of his life’s journey, he trod on many toes. Powerful, influential ones. But he had no regrets. Never bothered about who or how many were with him. He was always a singular man with a definite purpose. If no one came to assist, he would go forward alone without bothering about the consequences.

 

His best quality was that he could be your dearest friend and at the same time your prime adversary. Depending totally on the issue at hand. This sterling quality comes only to a very few. Thankfully Bishen had loads of it. This was the characteristic that kept him apart from most others.

 

Magnanimous to a fault, Bishen had the knack of applauding an opponent for an exquisite stroke, even off his own bowling. I can vouch as a recipient. He was known to go across to the opponent’s dressing room for a chat. These came naturally to him for he enjoyed companionship.

 

He was the opposing captain when I made my first-class debut against North Zone at Feroz Shah Kotla in 1972. We won the very low-scoring encounter but not once did I see him lose his magnanimous bearing. If he inspired his own mates, he inspired me no less as a man and as a captain.

 

Never saw him lower his high moral code to take an undue advantage, even if it was legal and available. Never saw him lose his cool and composure on the field. Never saw him lose his dignified presence on or off the field.

 

But he would be the first to object if he found any wrong being done. Tony Greig and John Lever got a taste of his medicine in 1976 when they were illegally applying some artificial substance to the ball. Bishen was forever a patriot. The so-called professionalism of the mercenary never crossed his mind as Northamptonshire CC cut short his contract because of this incident.

 

India’s first series victory in 1969 was not taken seriously because at the time New Zealand was considered to be a weak opposition. But their ‘home’ conditions the Kiwis were a formidable lot. Tiger Pataudi’s men did wonders with Bedi and Prasanna among the principal wicket-takers. A major turning point of Indian cricket was the twin overseas victories of Wadekar’s men in West Indies and England in 1971. Bishen was a prominent contributor on both tours.

 

Even after retirement, his contribution was impeccable. Bedi took the initiative to be the chief architect who chose the 1983 world cup squad. For the first time India sent a team with the ‘horses for courses’ policy. Brilliant fielders, genuine swingers, lion-hearted batters brought forth a stunning result beyond all comprehension.

 

Salute to our national selectors where Bishen along with Chandu Borde and Ghulam Ahmed played a very prominent role for their unbiased, non-provincial approach. The east zone and central zone representatives were absent at the selection committee meeting! The appointment of Maan Singh as manager was a master-stroke as Maan’s personality and integrity played a crucial role during the campaign.

 

Bishen Bedi was born 50 years too late. His ideologies, his mannerisms, his conduct were of an earlier generation when values had some value. He was a complete misfit of his contemporary times and beyond. He was aghast at the dreadful cronyism and the hypocrisy around him. Frustrated, he could not afford to keep silent.

He became a rebel because of the prevailing circumstances; not because he loved rebellion.

 

Unfortunately, Bishen Bedi and players of his artistic ilk have always been judged on calculators. Although Bishen’s statistical figures are of the highest category contributing towards many distinguished Test victories, yet it is primarily his artistic talents that have delighted generations of cricket connoisseurs.

 

 

Over to 1980 at Eden Gardens. Bengal was hosting Delhi in a Ranji Trophy quarter-final duel. Star-studded Delhi with 11 international players defeated a young Bengal side in a close-contested match. Bishen and I were the rival leaders. After the match, Bishen came to our dressing room and said, “Gallant fight-back, lads. All the best.” Smiled at me, “Raju, despite being the highest scorer in the match, you are in the losing team. That’s the irony of life.” What a lesson in the easiest of languages from a most magnanimous gentleman.

 

The magical rhythm of his twinkling toes, the slow curve of his arms, the subtle wait, the trademark thumb impression on the ball of the non-bowling arm and the impassive vein gave him a halo that sent shivers of excitement to those fortunate enough to have seen him in action.

 

He was primarily an artist with the cricket field as his canvas. There were no high-fives, no vulgar gestures. The artist was content to accept the applause with a disarming smile. That was and still very much remains my Bishen Singh Bedi in excelsis…

 

 

 

 

Sunday, 16 April 2023





 Living legend Sunil Gavaskar is well known for his fabulous sense of humour. Yet again he showed the world how to play a joke on the sports fraternity and administrators. At a function in Kolkata he gave a lovely speech involving an interesting story relating to another legend Chuni Goswami, in whose honour an entrance gate was being inaugurated at a famous club in Kolkata.

Sunil told the gullible audience that he had caught Chuni-da  on 96 at slips in a Ranji Trophy match. The Kolkata sports media lapped up the story and splashed it all over the front pages, sending readers salivating for more.

If you wish to be fooled on an April day, I have no problems. However if you wish to acquaint yourself with the facts then read on:

1.  In 1968-69 Chuni-da had scored 96 and 84 in the Ranji Trophy final against Bombay at Brabourne Stadium. Sunil was not in the Bombay team at the time. Wadekar and Ambar Roy were the captains. Chuni-da was caught by Sudhir Naik off Ajit Pai in the 1st innings and was bowled by Milind Rege in the 2nd Innings.

2.  In 1970-71 at Eden Gardens, Chuni-da scored 34* and 40 versus Bombay at Eden Gardens. Sunil also did not play in this Ranji Trophy semi-final match. Sudhir Naik led Bombay and Ambar Roy led Bengal. 

3.  In 1971-72 in the RT final at Brabourne Stadium, Sunil and Chuni-da met for the only time in a Ranji Trophy match. In this match Sunil caught Chuni-da on zero at slip. Ajit Wadekar and Chuni Goswami were the respective captains. In the 2nd innings Chuni-da was bowled by Rege for 5.

I wish Sunil would take the opportunity to rectify what he said and tell the world that it was only a joke.Otherwise, coming from a person of his iconic status, this 'joke' will become another myth of Indian cricket.