Monday, 23 October 2023

 


My idol Bishen

 


“Whatever touched his heart, unloosened his tongue” is to paraphrase a quote of political scientist Wayper on Jean Rousseau, the legendary political philosopher and social activist. In a nut-shell that is the apt description of my Bishen. Bishen happens to be the Rousseau of the world of cricket.

 

Much lauded and more maligned, my Bishan was not an individual who would run away from challenges fearing loss of image or whatever. At the first hint of injustice, without a care for the morrow Bishan, like Rousseau, would be the first to raise his voice and the first into the scene of battle. If need be, he would go ahead alone and not look around for support, exactly as Rabindranath Tagore had visualized: Jodi tor dak sunay keo na ashey, tobay ekla chalo ray (If nobody answers your call, do it alone).

 

Bishan Bedi was the synonym for high moral principles. At the same time a direct antithesis of tact. He would not deviate into diplomacy for the sake of sacrificing truth. No one – not even his sworn enemies – can ever accuse him of hypocrisy. He was highly proactive for any just cause. 

 

Admittedly over the years he has paid a heavy penalty for this admirable quality of his. But he would not have had it otherwise. Fear of authority never crossed that raised turban of this proud Sikh of the martial race.

 

It is to his immense credit that as a cricket captain he inspired a host of young players to attain heights beyond their inherent abilities. He gave his team-mates freedom and respect. He fought tooth and nail for them. He left his stamp of character with every act of his. A man Swami Vivekananda would have been proud of.

 

But he was a terrible judge of people. He hated flatterers and fiends but that was precisely what he eventually had beside him always. Invariably he was left stranded by the very men he had helped to find moorings in cricket as well as in life. People, who benefited immensely from him, made dirty noises invariably behind his back.

 

Again to his credit, he had no time for his critics or for prima donnas. He treated all men as equals. No wonder it was under his leadership that the young Indian brigade put up a rare show of fortitude as they chased over 400 runs to win a Test match. This was at Trinidad in 1976 against the likes of Holding, Roberts and company at a time when the West Indies avalanche crushed all obstructions to smithereens.

 

He was man of very high idealism. Once in 1979 at Sahiwal he forfeited an ODI match to Pakistan. When he found that the Pakistani umpires were not following the spirit of the noble sport by allowing bumpers beyond limit, Bishan decided to close the innings and consequently to forfeit the match!

 

On another occasion he declared India’s innings closed at Kingston in Jamaica in 1976 when the West Indies fast bowlers launched a bumper-attack aiming at the body of the Indian batters. A distinct case of non-violent resistance that would have made one MK Gandhi glow in pride.

 

Bedi’s candid logic was that cricket was no war, just a game. The moment he realized that the umpires were unwilling to use their discretion and allowed the conventional tradition of the noble game to be trampled upon, the patriotic man decided that he and his countrymen would not be a part of the fracas.

 

In time the ‘spirit of cricket’ code became a vital part in the MCC Laws of Cricket to enable umpires and match referees to take strict actions. Unfortunately the man, whose daredevilry made the idea of the code possible, never got any credit for it. Not even a mention for his proactive contribution.

 

Bedi, the supreme classical stylist was nature’s gift to cricket. To him the game came much ahead of petty considerations of victory and defeat. To him the end did not justify the means. Nothing, just nothing could shake him away from the firm resolve that cricket was a game for the mentally tough who could take the rough with the smooth. But it was a game nevertheless and certainly no war.


 

His open personality and liberal views invited confrontation. Bishan crossed swords with authority not because he relished duels but because they gave him little option. People in power could not tolerate his courage, his convictions. Even players whom he had nursed and nurtured stayed away from him lest they got branded. When he took on the influential DDCA and put his foot down very vehemently, yet again he showed the world his courage in the face of odds. Never bothered to curry favours with the Establishment, neither BCCI nor ICC.

 

Bishan could indeed be a very hard task-master, more so to his own self and to his own mates. He would brook no compromise. Inevitably enough in a scenario short on principles, the man of principles found himself marginalized. Throughout his active cricket career and beyond he had to carry a very high burden for his non-compromising stance.

 

If in life he was in perpetual hurry, at the bowling crease he was an exact antithesis. From a rhythmic classical pose – a model for sculptors – the bearded ‘sardar’ would tantalizingly tease. For him flight did not mean merely tossing the ball up. His flight was a deceptive trajectory that would curl in mid-air; aerial geometry perplexing the best of batters. The arc would curve variable paths at his beck and call.

 

When people thought that one-day cricket had no place for spinners, he enjoyed a hearty laugh when those supple fingers of his produced a match analysis of 12-8-6-1. Against East Africa in the Prudential World Cup of 1979. But knowing the man, I am certain that he would have preferred to bag a few more wickets in the process.

 

Bishan belonged to a period when Indian spinners were doing magic with the ball in hand. They were genuine spinners. Men who made the ball rotate on flight. Not the kind to trundle slow stuff and create an impression of being spinners. No, no, far from it. Bishan's contemporaries believed a spinner should be able to turn even on a billiard table-top. And that was precisely what they achieved.

 

They relished the friendly rivalry and banter among themselves. They were beyond comparison. They complimented and contrasted among themselves. Yes, they were lucky to have spinning tracks at home in the 1970s, but what about their successes abroad? On the hard sun-baked pitches of Australia as well as on the grassy tracks in England and New Zealand? Actually Bishan and his spinning-companions never bothered about surfaces and conditions to display their skills.

 

On the last day of December 1966 aBedi made his Test debut at the iconic Eden Gardens against Garfield Sobers' side. Just a few weeks earlier he had created a wonderful impression while bowling against the tourists for the all-India combined university side as well as for the Board President's XI.

 

Thankfully a liberal-minded captain like Tiger Pataudi realized the worth of the gem placed at his disposal, carefully gave it shape and polish. But did not unnecessarily interfere and allowed him full freedom to develop his art and personality.

 

This was just the kind of mentorship that Bishan needed: a guiding hand without unnecessary curbs. And this was the kind of guidance Bedi himself would give to youngsters when he was the captain of India, North Zone and Delhi.

 

When Bishan began his tryst with Test cricket there were established left-arm spinners in India with impeccable credentials like Padmakar Shivalkar and Rajinder Goel. But the moment the young sardar went left-arm over-the-wicket, he went over his generation of left-arm spinners.

 

 Such was the subtlety of his free-flowing action that people who had come with sardonic smiles were made to sit up and take notice. Even old-timers, highly critical of modern men, had to nod their heads in appreciation. They realized that they were witnessing a classical charmer in action.

 

As captain he did wonders for Delhi and North Zone teams. He made them believe in themselves. In his time Delhi and North Zone were feared teams and a whole lot of outstanding cricketers came into national reckoning. Instilled confidence into them and allowed them to blossom. Bishan's major contribution was that he guided young cricketers to believe in their own selves.

 

******

 

Bishan Bedi was a pioneer in many respects. He was among the first Indians to come from an unfashionable city (Amritsar) to become an international cricket legend. He was among the first to break the stranglehold of Bombay who monopolized the domestic Indian cricket championships. He was most surely the first in northern India to help the deserving regional youngsters to find their feet in the uncertain world of Indian cricket.

 

He was the first among our national selectors who had the courage to identify and select ‘horses for courses’ when it came to choosing the national teams. And most importantly he was the first to vehemently protest at the international stage when the game of cricket was reduced to a street-fight.

 

However, all these impeccable pioneering qualities do little justice to this ubiquitous personality. Unique though those attributes were, he was primarily an artiste. As with all genuine people of art he was a philosopher and a social activist.

 

Even Bishan’s critics will admit that the turbaned Sikh had tremendous faith in himself. His confidence level and the sense of self-respect were exemplary. Invariably enough, he was always fighting for a selfless cause, however difficult it might appear to be.

 

During the course of his life’s journey, he trod on many toes. Powerful, influential ones. But he had no regrets. Never bothered about who or how many were with him. He was always a singular man with a definite purpose. If no one came to assist, he would go forward alone without bothering about the consequences.

 

His best quality was that he could be your dearest friend and at the same time your prime adversary. Depending totally on the issue at hand. This sterling quality comes only to a very few. Thankfully Bishan had loads of it. This was the characteristic that kept him apart from most others.

 

Magnanimous to a fault, Bishan had the knack of applauding an opponent for an exquisite stroke, even off his own bowling. I can vouch as a recipient. He was known to go across to the opponent’s dressing room for a chat. These came naturally to him for he enjoyed companionship.

 

He was the opposing captain when I made my first-class debut against North Zone at Feroz Shah Kotla in 1972. We won the very low-scoring encounter but not once did I see him lose his magnanimous bearing. If he inspired his own mates, he inspired me no less as a man and as a captain.

 

Never saw him lower his high moral code to take an undue advantage, even if it was legal and available. Never saw him lose his cool and composure on the field. Never saw him lose his dignified presence on or off the field.

 

But he would be the first to object if he found any wrong being done. Tony Greig and John Lever got a taste of his medicine in 1976 when they were illegally applying some artificial substance to the ball. Bishan was forever a patriot. The so-called professionalism of the mercenary never crossed his mind as Northamptonshire CC cut short his contract because of this incident.

 

India’s first series victory in 1969 was not taken seriously because at the time New Zealand was considered to be a weak opposition. But their ‘home’ conditions the Kiwis were a formidable lot. Tiger Pataudi’s men did wonders with Bedi and Prasanna among the principal wicket-takers. A major turning point of Indian cricket was the twin overseas victories of Wadekar’s men in West Indies and England in 1971. Bishan was a prominent contributor on both tours.

 

Even after retirement, his contribution was impeccable. Bedi took the initiative to be the chief architect who chose the 1983 world cup squad. For the first time India sent a team with the ‘horses for courses’ policy. Brilliant fielders, genuine swingers, lion-hearted batters brought forth a stunning result beyond all comprehension.

 

Salute to our national selectors where Bishan along with Chandu Borde and Ghulam Ahmed played a very prominent role for their unbiased, non-provincial approach. The east zone and central zone representatives were absent at the selection committee meeting! The appointment of Maan Singh as manager was a master-stroke as Maan’s personality and integrity played a crucial role during the campaign.

 

Bishan Bedi was born 50 years too late. His ideologies, his mannerisms, his conduct were of an earlier generation when values had some value. He was a complete misfit of his contemporary times and beyond. He was aghast at the dreadful cronyism and the hypocrisy around him. Frustrated, he could not afford to keep silent.

He became a rebel because of the prevailing circumstances; not because he loved rebellion.

 

Unfortunately, Bishan Bedi and players of his artistic ilk have always been judged on calculators. Although Bishan’s statistical figures are of the highest category contributing towards many distinguished Test victories, yet it is primarily his artistic talents that have delighted generations of cricket connoisseurs.

 

 

Over to 1980 at Eden Gardens. Bengal was hosting Delhi in a Ranji Trophy quarter-final duel. Star-studded Delhi with 11 international players defeated a young Bengal side in a close-contested match. Bishan and I were the rival leaders. After the match, Bishan came to our dressing room and said, “Gallant fight-back, lads. All the best.” Smiled at me, “Raju, despite being the highest scorer in the match, you are in the losing team. That’s the irony of life.” What a lesson in the easiest of languages from a most magnanimous gentleman.

 

The magical rhythm of his twinkling toes, the slow curve of his arms, the subtle wait, the trademark thumb impression on the ball of the non-bowling arm and the impassive vein gave him a halo that sent shivers of excitement to those fortunate enough to have seen him in action.

 

He was primarily an artist with the cricket field as his canvas. There were no high-fives, no vulgar gestures. The artist was content to accept the applause with a disarming smile. That was and still very much remains my Bishan Singh Bedi in excelsis…

 

 

 

 


My idol Bishen

 

“Whatever touched his heart, unloosened his tongue” is to paraphrase a quote of political scientist Wayper on Jean Rousseau, the legendary political philosopher and social activist. In a nut-shell that is the apt description of my Bishen. Bishen happens to be the Rousseau of the world of cricket.

 

Much lauded and more maligned, my Bishen was not an individual who would run away from challenges fearing loss of image or whatever. At the first hint of injustice, without a care for the morrow Bishen, like Rousseau, would be the first to raise his voice and the first into the scene of battle. If need be, he would go ahead alone and not look around for support, exactly as Rabindranath Tagore had visualized: Jodi tor dak sunay keo na ashey, tobay ekla chalo ray (If nobody answers your call, do it alone).

 

Bishen Bedi was the synonym for high moral principles. At the same time a direct antithesis of tact. He would not deviate into diplomacy for the sake of sacrificing truth. No one – not even his sworn enemies – can ever accuse him of hypocrisy. He was highly proactive for any just cause. 

 

Admittedly over the years he has paid a heavy penalty for this admirable quality of his. But he would not have had it otherwise. Fear of authority never crossed that raised turban of this proud Sikh of the martial race.

 

It is to his immense credit that as a cricket captain he inspired a host of young players to attain heights beyond their inherent abilities. He gave his team-mates freedom and respect. He fought tooth and nail for them. He left his stamp of character with every act of his. A man Swami Vivekananda would have been proud of.

 

But he was a terrible judge of people. He hated flatterers and fiends but that was precisely what he eventually had beside him always. Invariably he was left stranded by the very men he had helped to find moorings in cricket as well as in life. People, who benefitted immensely from him, made dirty noises invariably behind his back.

 

Again to his credit, he had no time for his critics or for prima donnas. He treated all men as equals. No wonder it was under his leadership that the young Indian brigade put up a rare show of fortitude as they chased over 400 runs to win a Test match. This was at Trinidad in 1976 against the likes of Holding, Roberts and company at a time when the West Indies avalanche crushed all obstructions to smithereens.

 

He was man of very high idealism. Once in 1979 at Sahiwal he forfeited an ODI match to Pakistan. When he found that the Pakistani umpires were not following the spirit of the noble sport by allowing bumpers beyond limit, Bishen decided to close the innings and consequently to forfeit the match!

 

On another occasion he declared India’s innings closed at Kingston in Jamaica in 1976 when the West Indies fast bowlers launched a bumper-attack aiming at the body of the Indian batters. A distinct case of non-violent resistance that would have made one MK Gandhi glow in pride.

 

Bedi’s candid logic was that cricket was no war, just a game. The moment he realized that the umpires were unwilling to use their discretion and allowed the conventional tradition of the noble game to be trampled upon, the patriotic man decided that he and his countrymen would not be a part of the fracas.

 

In time the ‘spirit of cricket’ code became a vital part in the MCC Laws of Cricket to enable umpires and match referees to take strict actions. Unfortunately the man, whose daredevilry made the idea of the code possible, never got any credit for it. Not even a mention for his proactive contribution.

 

Bedi, the supreme classical stylist was nature’s gift to cricket. To him the game came much ahead of petty considerations of victory and defeat. To him the end did not justify the means. Nothing, just nothing could shake him away from the firm resolve that cricket was a game for the mentally tough who could take the rough with the smooth. But it was a game nevertheless and certainly no war.


 

His open personality and liberal views invited confrontation. Bishen crossed swords with authority not because he relished duels but because they gave him little option. People in power could not tolerate his courage, his convictions. Even players whom he had nursed and nurtured stayed away from him lest they got branded. When he took on the influential DDCA and put his foot down very vehemently, yet again he showed the world his courage in the face of odds. Never bothered to curry favours with the Establishment, neither BCCI nor ICC.

 

Bishen could indeed be a very hard task-master, more so to his own self and to his own mates. He would brook no compromise. Inevitably enough in a scenario short on principles, the man of principles found himself marginalized. Throughout his active cricket career and beyond he had to carry a very high burden for his non-compromising stance.

 

If in life he was in perpetual hurry, at the bowling crease he was an exact antithesis. From a rhythmic classical pose – a model for sculptors – the bearded ‘sardar’ would tantalizingly tease. For him flight did not mean merely tossing the ball up. His flight was a deceptive trajectory that would curl in mid-air; aerial geometry perplexing the best of batters. The arc would curve variable paths at his beck and call.

 

When people thought that one-day cricket had no place for spinners, he enjoyed a hearty laugh when those supple fingers of his produced a match analysis of 12-8-6-1. Against East Africa in the Prudential World Cup of 1979. But knowing the man, I am certain that he would have preferred to bag a few more wickets in the process.

 

Bishen belonged to a period when Indian spinners were doing magic with the ball in hand. They were genuine spinners. Men who made the ball rotate on flight. Not the kind to trundle slow stuff and create an impression of being spinners. No, no, far from it. Bishen's contemporaries believed a spinner should be able to turn even on a billiard table-top. And that was precisely what they achieved.

 

They relished the friendly rivalry and banter among themselves. They were beyond comparison. They complimented and contrasted among themselves. Yes, they were lucky to have spinning tracks at home in the 1970s, but what about their successes abroad? On the hard sun-baked pitches of Australia as well as on the grassy tracks in England and New Zealand? Actually Bishen and his spinning-companions never bothered about surfaces and conditions to display their skills.

 

On the last day of December 1966 Bishen Bedi made his Test debut at the iconic Eden Gardens against Garfield Sobers' side. Just a few weeks earlier he had created a wonderful impression while bowling against the tourists for the all-India combined university side as well as for the Board President's XI.

 

Thankfully a liberal-minded captain like Tiger Pataudi realized the worth of the gem placed at his disposal, carefully gave it shape and polish. But did not unnecessarily interfere and allowed him full freedom to develop his art and personality.

 

This was just the kind of mentorship that Bishen needed: a guiding hand without unnecessary curbs. And this was the kind of guidance Bedi himself would give to youngsters when he was the captain of India, North Zone and Delhi.

 

When Bishen began his tryst with Test cricket there were established left-arm spinners in India with impeccable credentials like Padmakar Shivalkar and Rajinder Goel. But the moment the young sardar went left-arm over-the-wicket, he went over his generation of left-arm spinners.

 

 Such was the subtlety of his free-flowing action that people who had come with sardonic smiles were made to sit up and take notice. Even old-timers, highly critical of modern men, had to nod their heads in appreciation. They realized that they were witnessing a classical charmer in action.

 

As captain he did wonders for Delhi and North Zone teams. He made them believe in themselves. In his time Delhi and North Zone were feared teams and a whole lot of outstanding cricketers came into national reckoning. Instilled confidence into them and allowed them to blossom. Bishen's major contribution was that he guided young cricketers to believe in their own selves.

 

******

 

Bishen Bedi was a pioneer in many respects. He was among the first Indians to come from an unfancied city (Amritsar) to become an international cricket legend. He was among the first to break the stranglehold of Bombay who monopolized the domestic Indian cricket championships. He was most surely the first in northern India to help the deserving regional youngsters to find their feet in the uncertain world of Indian cricket.

 

He was the first among our national selectors who had the courage to identify and select ‘horses for courses’ when it came to choosing the national teams. And most importantly he was the first to vehemently protest at the international stage when the game of cricket was reduced to a street-fight.

 

However, all these impeccable pioneering qualities do little justice to this ubiquitous personality. Unique though those attributes were, he was primarily an artiste. As with all genuine people of art he was a philosopher and a social activist.

 

Even Bishen’s critics will admit that the turbaned Sikh had tremendous faith in himself. His confidence level and the sense of self-respect were exemplary. Invariably enough, he was always fighting for a selfless cause, however difficult it might appear to be.

 

During the course of his life’s journey, he trod on many toes. Powerful, influential ones. But he had no regrets. Never bothered about who or how many were with him. He was always a singular man with a definite purpose. If no one came to assist, he would go forward alone without bothering about the consequences.

 

His best quality was that he could be your dearest friend and at the same time your prime adversary. Depending totally on the issue at hand. This sterling quality comes only to a very few. Thankfully Bishen had loads of it. This was the characteristic that kept him apart from most others.

 

Magnanimous to a fault, Bishen had the knack of applauding an opponent for an exquisite stroke, even off his own bowling. I can vouch as a recipient. He was known to go across to the opponent’s dressing room for a chat. These came naturally to him for he enjoyed companionship.

 

He was the opposing captain when I made my first-class debut against North Zone at Feroz Shah Kotla in 1972. We won the very low-scoring encounter but not once did I see him lose his magnanimous bearing. If he inspired his own mates, he inspired me no less as a man and as a captain.

 

Never saw him lower his high moral code to take an undue advantage, even if it was legal and available. Never saw him lose his cool and composure on the field. Never saw him lose his dignified presence on or off the field.

 

But he would be the first to object if he found any wrong being done. Tony Greig and John Lever got a taste of his medicine in 1976 when they were illegally applying some artificial substance to the ball. Bishen was forever a patriot. The so-called professionalism of the mercenary never crossed his mind as Northamptonshire CC cut short his contract because of this incident.

 

India’s first series victory in 1969 was not taken seriously because at the time New Zealand was considered to be a weak opposition. But their ‘home’ conditions the Kiwis were a formidable lot. Tiger Pataudi’s men did wonders with Bedi and Prasanna among the principal wicket-takers. A major turning point of Indian cricket was the twin overseas victories of Wadekar’s men in West Indies and England in 1971. Bishen was a prominent contributor on both tours.

 

Even after retirement, his contribution was impeccable. Bedi took the initiative to be the chief architect who chose the 1983 world cup squad. For the first time India sent a team with the ‘horses for courses’ policy. Brilliant fielders, genuine swingers, lion-hearted batters brought forth a stunning result beyond all comprehension.

 

Salute to our national selectors where Bishen along with Chandu Borde and Ghulam Ahmed played a very prominent role for their unbiased, non-provincial approach. The east zone and central zone representatives were absent at the selection committee meeting! The appointment of Maan Singh as manager was a master-stroke as Maan’s personality and integrity played a crucial role during the campaign.

 

Bishen Bedi was born 50 years too late. His ideologies, his mannerisms, his conduct were of an earlier generation when values had some value. He was a complete misfit of his contemporary times and beyond. He was aghast at the dreadful cronyism and the hypocrisy around him. Frustrated, he could not afford to keep silent.

He became a rebel because of the prevailing circumstances; not because he loved rebellion.

 

Unfortunately, Bishen Bedi and players of his artistic ilk have always been judged on calculators. Although Bishen’s statistical figures are of the highest category contributing towards many distinguished Test victories, yet it is primarily his artistic talents that have delighted generations of cricket connoisseurs.

 

 

Over to 1980 at Eden Gardens. Bengal was hosting Delhi in a Ranji Trophy quarter-final duel. Star-studded Delhi with 11 international players defeated a young Bengal side in a close-contested match. Bishen and I were the rival leaders. After the match, Bishen came to our dressing room and said, “Gallant fight-back, lads. All the best.” Smiled at me, “Raju, despite being the highest scorer in the match, you are in the losing team. That’s the irony of life.” What a lesson in the easiest of languages from a most magnanimous gentleman.

 

The magical rhythm of his twinkling toes, the slow curve of his arms, the subtle wait, the trademark thumb impression on the ball of the non-bowling arm and the impassive vein gave him a halo that sent shivers of excitement to those fortunate enough to have seen him in action.

 

He was primarily an artist with the cricket field as his canvas. There were no high-fives, no vulgar gestures. The artist was content to accept the applause with a disarming smile. That was and still very much remains my Bishen Singh Bedi in excelsis…

 

 

 

 

Sunday, 16 April 2023





 Living legend Sunil Gavaskar is well known for his fabulous sense of humour. Yet again he showed the world how to play a joke on the sports fraternity and administrators. At a function in Kolkata he gave a lovely speech involving an interesting story relating to another legend Chuni Goswami, in whose honour an entrance gate was being inaugurated at a famous club in Kolkata.

Sunil told the gullible audience that he had caught Chuni-da  on 96 at slips in a Ranji Trophy match. The Kolkata sports media lapped up the story and splashed it all over the front pages, sending readers salivating for more.

If you wish to be fooled on an April day, I have no problems. However if you wish to acquaint yourself with the facts then read on:

1.  In 1968-69 Chuni-da had scored 96 and 84 in the Ranji Trophy final against Bombay at Brabourne Stadium. Sunil was not in the Bombay team at the time. Wadekar and Ambar Roy were the captains. Chuni-da was caught by Sudhir Naik off Ajit Pai in the 1st innings and was bowled by Milind Rege in the 2nd Innings.

2.  In 1970-71 at Eden Gardens, Chuni-da scored 34* and 40 versus Bombay at Eden Gardens. Sunil also did not play in this Ranji Trophy semi-final match. Sudhir Naik led Bombay and Ambar Roy led Bengal. 

3.  In 1971-72 in the RT final at Brabourne Stadium, Sunil and Chuni-da met for the only time in a Ranji Trophy match. In this match Sunil caught Chuni-da on zero at slip. Ajit Wadekar and Chuni Goswami were the respective captains. In the 2nd innings Chuni-da was bowled by Rege for 5.

I wish Sunil would take the opportunity to rectify what he said and tell the world that it was only a joke.Otherwise, coming from a person of his iconic status, this 'joke' will become another myth of Indian cricket. 


Sunday, 2 April 2023

 



My SALIM BHAI: the selfless genius

 

If a genuine cricket follower cares to put his hand on his heart, his conscience will reveal the truth: the most significant year of Indian cricket on-the-field was 1971. India defeated West Indies and England in successive Test series within months on their own backyards.

 

Never again would India repeat such major victories abroad within such a short span. As England had just registered a victory over Australia in 1970-71, India was justifiably the number one cricketing nation at a time when ‘rankings’ were unheard of.

 

The man who took India to the top of the cricketing world way back in 1971 happened to be a man born in Afghanistan. The ‘Kabuliwala’ who was christened ‘Prince Salim’ by his innumerable fans around the country was the chief architect of that splendid victory in West Indies.

 

Salim Durani was a free soul without a care for the morrow. Had no inhibition; had no ego. He borrowed money and bought beer and coke to share with the ‘creditor’! Next day in the most subtle manner possible, he left the exact amount into the man’s shirt pocket! I can vouch for the incident because the person happened to be me. At Hyderabad during the Moin-ud-Dowla Trophy way back in 1976.

 

In a career that spanned nearly 15 years, the magnificent all-rounder played in only 29 Tests. He went on only two tours abroad – both to the Caribbean ten years apart – where he showed the world his true greatness.

 

The national selectors, in all their wisdom, realized that Durani would be a ‘passenger’ on tours to England, Australia and New Zealand between 1959 and 1974! The man who was helping India to win series after series at home, was omitted from tours abroad!

 

Handsome is as the handsome does, so goes the cliché. Absolutely true in Durani’s case. The greenish-blue eyes looked at the world from a tall, handsome frame. He was all elegance and style.

 

Even the glamorous world of Bollywood had to relent by offering him a hero’s role opposite Parveen Babi in BR Ishara’s Charitra. This also happens to be another ‘first’ of his among Indian Test cricketers.

 

In 1962 when no one quite wanted to face the fiery Wesley Hall and Chester Watson on those lightning fast, hard West Indies pitches of the time, it was this man who volunteered to bat at number 3! So very typical of this man. For good measure, the left-handed all-rounder scored a magnificent century against a world-class attack comprising Sobers, Gibbs and Hall.

 

Salim Durani was born on a train heading towards Kabul in 1934 at a time when his father, Abdul Aziz, was keeping wickets for the Nawanagar State team in pre-independent India. After India’s independence in 1947, Aziz and his family settled down in the newly formed State of Gujarat.

 

Destiny had decreed that Durani would be Afghan by birth but Indian by nationality, as was the case with millions of others affected by the partition of the sub-continent.

 

He was as much the people’s man as he was of the connoisseurs. A hero to millions. At Calcutta people still – now nearly 50 years since he last played for India – go crazy when they see him. No one ever was more popular than he at Eden.

 

He always seemed to keep his best for the Eden Gardens crowd. In 1965 in one over of magic weave he had three Aussies in hypnosis. Unfortunately his wonderful spell did not get the acknowledgement as the match was curtailed owing to unseasonal rain.

 

“Yes, I enjoyed the support of the crowd at Eden. To be honest, I enjoy only if the spectators enjoy wherever that be. Otherwise what is the purpose of sports?” How true.

 

His charm was captivating. Once in a Duleep Trophy tie, the bowler Durani actually applauded a cover-driven boundary of mine! I was too stunned to react. It took me moments to realize the fathomless magnanimity of the man.

 

His simplicity, his modesty, his love for life and his love for companionship are lessons to learn from. At Eden during my book inaugural session he told a packed audience, “…I always wanted to be a railway engine driver…Never thought I had any talent for cricket…Life has been good to me…No regrets at all…”

 

Never once has anyone heard him criticize another person. Not even a harsh word passed through his lips. That was quite beyond him.

 

He believed in enjoyment. He enjoyed his life, his cricket. And in return he gave far more enjoyment to others, whether they were spectators or friends. Doubt if he ever had a foe. A man of few words, when he spoke his soft, chaste voice was all music. He was the Prince Charming of Indian cricket.

 

Great cricketers would be born again and again. But there will never be another to match this nonchalant, selfless, large-hearted genius.

 

 

Salim Durani combined extraordinary innovativeness with extreme ease of execution to walk into this exclusive elite company of Keith Miller and Gary Sobers, Salim Durani who could probably the transform the tide of a tie in a matter of moments.

 

Lissome and handsome, the elegant left-hander left an imprint on every ground he trod on. The languid gait was enough to draw attention. The effortless approach of gay abandon drew spontaneous applause. His skills were varied and of pristine pure quality. People adored him for they knew that he was far far beyond the accepted patterns of orthodoxy. His unpredictability gave him an aura of vulnerability and for that reason his adventurous ways made him so very appealing.

 

 No respecter of icons or ideologies, he took delight in puncturing reputations on the field. But there would be no violence, no mockery, no sadism. Made it appear the simplest of activities: nonchalance in the extreme.

 

And like all geniuses he also had his powerful detractors. In the 1960s Indian cricket was studded with excellent performers, but without the presence of the one and only genius the team hardly ever played to its real potential. If Durani was unpredictable, the selectors were no less. To be honest the man was at a wrong place, at a wrong time.

 

His first-class career began as a batsman at 18 with Saurashtra in 1953 for whom he scored a century on debut. Then after spending two years with Gujarat, he finally transferred loyalties to Rajasthan, where under the care of Raj Singh Dungarpur his latent talent flowered.

 

Consistent batting performances earned him his Test debut at Bombay against Benaud's team in 1959. But an injured finger relegated him to no. 10, where an innings of 18 relegated him to oblivion.

 

 With Vinoo Mankad and Chandu Joshi around, Durani was hardly required to bowl for Rajasthan but then the young man was so involved with all the facets of the game that he began to pick up the tricks of the bowling art just by watching the mastery of Mankad. Such was the versatility of Salim Durani that in 1958-59 he even kept wickets for Rajasthan regularly!

 

After the inauspicious Test debut, Salim concentrated on batting and on bowling. Prodigious turn of his strong fingers and supple wrists made the ball spin appreciably on all wickets and its best results came when he had 8 for 99 against Bombay in the Ranji final of 1960-61.

 

Next year he was recalled against Dexter's team. Now the neglected batsman was regarded as the principal bowler! In conjunction with Chandu Borde, with whom he was to climb many a peak together, Salim (71) added 142 runs for the 5th wicket and each of them claimed 3 wickets to cement their positions in the side.

 

The following two Tests were drawn and then at Calcutta the magnificent pair brought about a stunning victory through their prolific contributions. Durani with 63 and 5 and 3 wickets and his mate Borde with 68 and 61 and 3 wickets were the toast of the crowd.  The duo continued their act in the next Test at Madras. Borde with 5 wickets and Durani with 10 wickets brought about India's first ever series victory over England.

 

To West Indies Durani went in 1962 as our premier all-rounder. On hard, pacy wickets where no spinner on either side made any dent, his guile and genius accounted for 17 wickets in just 7 innings against men of the calibre of Frank Worrel, Rohan Kanhai , Garfield Sobers, Conrad Hunte and company.

 

However what marked him out as special was the courage and class that he displayed in his batting. By the 4th Test the Indians were battered and bruised by the fury of Wes Hall, Charlie Stayers and Chester Watson. It was at this hour that his Pathan blood boiled. No longer could he restrain himself to be on the receiving end.

 

Volunteering to go at No. 3 he proceeded to take the attack to the enemy camp. His bat was a rapier as he lunged into the fearsome attack without a care for the morrow. Gutsy Vijay Mehra gave him solid support as he raced to his century and later the grand old man Polly Umrigar came up with a heroic unbeaten 172. In the Caribbean Salim Durani was not only the major bowler but also took upon himself the role of the saviour. When the top batsmen 'back-pedalled’, he emerged to offer sanctuary and security to his supposed superiors.

 

This saviour's role he was to play time and again for the cause of his mates and country. One moment he was expected to grit his teeth in attrition and at the very next to plunge the dagger in. To play just one role is beyond most, but to be outstanding in both called for something special. It was this rare quality that marked him out as a genius.

 

 He loved adversity; relished challenges. Against weaker teams and under easy conditions he was invariably below his best, but when the going got tough, he would get hold of the rudder and inspire others through personal example.

 

 Again against Sobers’ men when the Indians were feeling the heat of battle and succumbed at Wankhade, the only semblance of resistance came from Prince Salim's aggressive half century where he countered Hall and Griffith thrust for thrust, glare for glare. But sure enough he was omitted for the rest of the series!

 

He was done in by vindictive comments of mediocre contemporaries and also by cliquish, narrow-minded selectors. In 1971 he went back to West Indies under Wadekar, a tour memorable for India winning her first-ever series overseas against West Indies.

 

It was his golden arm that first deceived Lloyd and rattled Sobers’ stumps first ball at Sabina Park. So rattled were the West Indies that they collapsed and could not regain their posture throughout the series. Durani with the two most important wickets for just 21 runs off 17 overs was the chief architect of India's first Test and series victory in West Indies. However, true to expectations, he was dropped from the playing XI just after one further Test!

 

However, this was not the end of his Test career. By now he had become a phoenix, perpetually rising from the ashes, as it were. After the euphoria of victories over West Indies and England abroad, India returned to promptly lose to Tony Lewis’ England side in the first Test.

 

 Immediately the panic buttons requisitioned for Durani. Now at the fag end of his career, Durani was to serve the country as a batsman! Durani began as a batter, then a spinner, later an all-rounder and finally back to square one as a batter! Amazing are the ways of our national selectors.

 

What an exhibition he had laid in store for his fans. To a thunderous ovation he walked in at the Gardens and into familiar surroundings: underprepared wicket, India in trouble, opposition literally baying for blood. Just the occasion he relished to have his adrenalin flowing.

 

He swatted a fly and it ricocheted back from the fence to his toe nails in the form of a cricket ball. Sheer magic it was. Edens erupted. We knew we were in the presence of an extraordinary individual, a genius. A man, a real man. A man of adventure and heroic proportions. A genius at the top of the world.

 

As he unusually calmly met a few deliveries without even moving his feet, we knew not the strain in the thigh. A runner was allowed later when the pain was too obvious and he was not even able to use his feet for basic foot-work, far less to run singles.

 

With his favourite Gavaskar to scurry about, the genius played an innings of rare gem. No cavalier was he this time; No frills, nothing fancy. Now he had his head down, chin up, elbow straight, body behind the ball. He steeled himself as he proceeded to play an innings of character that would bring victory to his country and draw parity in the series. He scored 55 out of 157 and helped his captain and mates to go on a victory lap.

 

In the following Test at Madras, once again he was in the thick of action at a time when India was wilting under pressure. And once again he was the main contributor to India's victory in the Test and consequently, as it transpired, in the series as well.

 

And once again he was dropped from the next Test at Kanpur. It was said he was omitted on grounds of fitness.

The insult to injury had the Bombay crowd up in arms in unison. They made placards proclaiming 'No Durani, no Test' and demanded his return. The Board and the selectors  wasted no time in recalling Salim to the playing XI.

 

The genial genius responded to the spontaneous ovation by playing two superlative knocks of 73 and 37 and signed off his magnificent deeds in Test cricket for good.

 

In the history of Test cricket never before or since has a man been omitted immediately after he had directly contributed to national victories. He won 3 Tests out of his last 5 for India  and altogether 6 out of 29 Tests and saved as many.

 

There are numerous Test cricketers — with statistics far superior to Durani’s — who have neither won nor saved a single match for their country. The very same people over the years are earning in crores for passing a whole lot of inane comments on television.

 

They tortured you, Salim bhai, but they could not take away your achievements.

They tormented you, Salim bhai, but they could not take away your genius that God had blessed you with.

Now finally you receive justice at the hands of your Creator.

You will remain my idol till I die and beyond.