Today is the birth
centenary of the first Bengali Test cricketer: Probir Kumar Sen (Khokon) 1926 - 1970
Today if one walks into the CAB club
house at Eden Gardens, one would come across a wall in the central lounge where
a list of Test players from Bengal appears. The list begins with a glaring
error. The first name itself is wrong! Just goes to show how much of pride and
interest we have in our own selves! Of course, there are a whole lot of other
wrong names in that list, as well.
Over the last 15 years the list with
the embarrassing errors has stayed on despite repeated requests to alter. No
CAB president has shown any interest in having the list rectified. Complete
ignorance? Or, sheer indifference?
Unfortunately even an erudite man
like Sunil Gavaskar fell into the trap and once commented in his television
broadcast that the first Bengali Test player was Shute Banerjee! Sunil of
course was relying on the piece of information available to him in the official
site of CAB. Shute Banerjee’s name is prominently displayed on the CAB lounge
to mislead the whole world.
Shute Banerjee was representing Bihar
when he made his Test debut for India in 1948-49 at Bombay in the 5th
and final Test of the series.
The first Bengali player to play for
India was not Shute Banerjee , but Probir Kumar Sen, popularly known as Khokon.
In 1947-48 he went with skipper Lala Amarnath’s team to Australia as the second
wicket-keeper to Jamshed Irani. But after two Tests the team management
realized that they had made a blunder by omitting Sen from the first XI.
Just out of teens, Khokon Sen brought
about a radical change in the ethos of Indian cricketers. Joking, chatting,
playing pranks, the vivacious youngster injected some fresh air in the
claustrophobic ambience of Indian cricket. He was not a rebel in the
conventional sense. He was not fighting for any cause. He was just himself:
extrovert, entertainer, energy personified.
Perpetually on the move, he seemed to
be. Came into national reckoning by his superlative talents. He had no Dutta
Ray or Dalmiya to plead for him. He was an independent individual who cared
little about what others felt about him. Not a respecter of persons or things,
he maintained his originality in every step of his. He did not join groups, nor
did he fall for any ‘carrots’ dangled. He maintained his composure, come rain,
hail or sunshine.
Khokon Sen’s career was a massive
mass of misunderstanding. People enjoyed his company but ridiculed him behind
his back. He was always thought to be pompous because of his very close rapport
with royalty. Actually he was an extrovert with the softest of souls. Just as
he was close to the maharajas so was he to the masseur, particularly Jeevanlal
Pal.
The Maharaja of Cooch Behar,
Jagaddipendra Narayan Bhup Bahadur, who was very popular as ‘Bhaya’, was an
elder brother to Khokonda. They were very thick friends on and off the field.
Bhaya captained Bengal in the Ranji Trophy in the 1940s while Probir Sen took
over in the following decade.
Khokonda’s hearty laughter was as
appealing as his big heart. Hailing from a wealthy family, the generous persona
loved having people around him to relax and regale. With Bhaya, he would be
seen at social clubs, palaces, angling expeditions and shikaars. He enjoyed the best of liquor and was voracious with
Continental cuisine, particularly crabs and prawns, but made no effort to feel
defensive about either.
Unfortunately his gregarious nature,
his easy laughter, his practical jokes were thought to be of a man yet to
mature. His Bengal team mates which included Nirmal Chatterjee (Bengal’s
best-ever all-round sportsman) and Badal Dutt (Bengal captain and Cambridge University
Blue) as well as the Test cricketer Montu Banerjee loved and adored him. Even the
great Indian contemporaries like Vinoo Mankad, Vijay Hazare and Polly Umrigar found
him to be excellent company. The fashionable man would wear Barkat Ali suits with felt hats tilted
stylishly. Those were the days…
Sen, barely 20 at the time, began at
Melbourne and was an instant success with his wicket-keeping. Brilliantly
acrobatic, he was an extrovert character who just could not keep quiet. He
would chatter constantly from behind the wicket with the fieldsmen and the
bowlers. He would liven up a dreary, boring afternoon on the field with his
incessant fund of stories.
His exceptional wicket-keeping
ability came into focus during the War years when first-class cricket continued
in India. He made his Ranji Trophy debut for Bengal in 1943-44 and received
high acclaim from all quarters. Born in 1926 at Comilla (now in Bangladesh), Khokon Sen showed
exceptional promise as an all-round sportsman from his school days.
His contemporaries found the young
man –full of humour and highly pro-active – a delight. His child-like
simplicity attracted attention. He was full of pranks even in State-level
matches. He was always doing the unexpected. Not an ‘opener’, he once opened
the innings and got a century in Ranji Trophy.
If this was not enough, once he took
off his gloves and began to bowl. The umpire asked, “Over-the-wicket? Or,
round?” The instant answer was, “Sir, from beside the wicket, if you do not
mind.” Believe it or not, he actually has a hat-trick in Ranji Trophy. Wonder
if this is a world record for a wicket-keeper.
It is said that Bill Ferguson, the
famous scorer, once told Sen that he reminded him of the England wicket-keeper
George Duckworth who also had the habit of constant chatter. Sen turned round
and told him, “I don’t just talk and talk. I guide. I give encouragement.” And
then in his typical camaraderie embraced Ferguson and went for a round of beer.
No wonder the Indians were very popular as tourists those days.
Sen had a very happy tour on and off
the field in Australia. On a disastrous tour, apart from Hazare, Mankad and to
an extent Dattu Phadkar, the youngest member Sen was an outstanding success.
Being a superb social-mixer, he became the toast of the evenings when the
Indians would spend a lot of time with Don Bradman for advice. In the match
against South Australia he flashed off Bradman’s bails with lightning speed on
the very difficult leg side. Bradman, true to his character, was full of praise
for young stumper’s speed, anticipation and agility.
On that tour of Australia, every
Indian cricketer was offered the scope to say two sentences over the
long-distance phone that had just been introduced between India and Australia.
Almost all the players said that they were fine except, of course, the one and
only Khokon Sen. When his turn came, the 20-year old Khokon shouted, “Dadu,
send money. Nothing left!” That was typical of him: no other message worthy
enough! He endeared himself to all those who played with and against him.
Sen played for India against West
Indies at home in 1948-49 then went to England in 1952 as well as was a regular
in the national team at the time. Although a regular member the opportunities
were sadly limited to only 14 Tests.
The highpoint of his career was the
victory at Madras in 1951-52. Skipper Vijay Hazare’s team defeated Nigel
Howard’s MCC very convincingly with Roy and Umrigar getting hundreds and Vinoo
Mankad capturing 12 wickets. They were the prime architects of the victory.
But one man made headlines from an
unusual position. That was Khokon Sen. He had a hand in 5 stumpings. This was
exemplary wicket-keeping no doubt but what was more appealing was the man’s
stage-craft. One moment he would be throwing the ball up and juggling with it.
Next moment he would start to roll on the ground to the cheers of the crowd.
And in the very next instant he would be running around the pitch with the ball
in hand like a goal-scorer in football. Sen captivated the audience and the
media lapped it up. He was indeed a born showman.
I met him just once. Was the year
1970? I distinctly remember the date 26th January for many reasons
than the obvious one. I was a member of the Mohun Bagan team which went to
Kalighat Club ground to play an exhibition match. Our captain was the mercurial
Chuni Goswami.
Just prior to the match, our dressing
room vibrated with the laughter of a diminutive, stocky man of around 45.
Unmistakably Khokon Sen. He was cracking jokes with Chunida, Shyamuda and my
elder brother Deb when his eyes fell on me. “Who’s this?” he furrowed his
eyebrows. Someone mentioned, “Deb’s younger brother.” “Deb’s brother?” he fumed, “Unshaven? You
must try to look like a cricketer.”
Like most precocious college youth, I
had little respect for persons who had no time for me. I coolly uttered, “Sir,
have you not heard of WG Grace?” There was pin-drop silence. Stunned, Khokonda
instantly recovered, smiled, put his hand on my shoulder, “Son, why hide your handsome
face with a beard?” I forced a smile in return. As Khokonda left our room, my
brother was furious with me for my silly response.
Little did we realize that the famous
man had come to take an active part in that ‘friendly’ fixture. He had come in
cream flannels and had his India blazer on. He was well past his prime and had
not played at all for over a decade. Why did he decide to play that particular
match will forever be a question that would go unanswered.
Next afternoon we heard that Khokonda
was no more. After the match he had some spurious rum that burnt his gullet.
What a dreadful death for a cheerful man. I happened to be his last victim as a
wicket-keeper. He held my ‘edge’ – a simple, straight forward catch – and then
leaned to his right, allowed the body to fall gently and roll over in front of
second slip! For ever a showman. A lovable gentleman. A wonderful human being.
I have the highest regard for him
because he was a true sportsman: modest, humourous, determined, chivalrous and
highly talented. Khokonda was incapable of hurting anyone. A man who had given
endless hours of mirth to all around him.
His approach to life revolutionized
cricket in India to a great extent. It is not commonly realized that this man
of wit was a messenger of life-style. He was like Charlie Chaplin the immortal
of the film world: humour laced with message. To bring about changes he did not
fight with anyone. Through his child-like simplicity he made others realize
their folly. Back-stabbing, conspiracies, groupism, loose-talk, parochialism,
etcetera which had inundated Indian cricket at the time gradually became
severely restricted.
He brought about a silent revolution in Indian
cricket with his characteristic sense of humour. He was not a rebel with a
whole lot of causes. His rebellion was one of approach. Through personal example,
he planted the idea of enjoyment among Indian players: sport was meant to be
enjoyed; sport was for providing entertainment to others; sport was a
delightful means to camaraderie; sport was life to be lived.
The charming rebel of Indian cricket
left us at 45, much too early. It is said… those whom the gods love, leave
young…