Moti Nandi Part 1
Today 29 July is Guru Purnima, the
birthday of the great author of Mahabharata, Ved Vyas. On this holy occasion I
can think only of a man who was to transform my life way back in 1972. He
moulded and motivated me into putting my thoughts in black and white. He gave
me the opportunity and the confidence to write whatever I spontaneously felt
like.
He was an intellectual but did not
believe in exhibiting his intellectualism. He was a novelist who preferred to
pen masterful short-stories. The man was unique in his own way.
He did not have the looks to draw
attention. Nor the bearing. Neither the flamboyance of a celebrity-author. He
made no attempt to impress or to camouflage. His whole life was an open secret;
totally transparent. He led no one; more important, allowed no one to do ‘dadagiri’ on him.
This person was none other than Moti
Nandi. His humble family background was no impediment to his passion for
literature. No obstacle, no circumstance could upset his determination to study
Bankim, Sarat, Tagore in the original as well as Tolstoy, Homer and others in
translation. He revelled in Neville Cardus and Somerset Maugham.
Such a conscientious effort could not
go down in vain. His short-stories began to appear in leading magazines and
created an immediate impact. He became without meaning to be the O Henry of
Bengali literature. Although his forte was short-stories, invariably publishers
rushed to have the rights to publish his novels as well. Nonida Not Out, Striker, Stopper and Coney among others had the readers in total thrall.
The man without any so-called
‘background’, without any so-called ‘backing’ was now the cynosure of the
voracious but highly discerning Bengali-language readership. Even cine-films
began to be made based on his fabulous sports-oriented fictions. His famous
line ‘Fight Coney, fight,’ has become a quote in Bengali idiom. The great
artiste Soumitro Chattopadhyay’s histrionic skills made the quote widely
popular.
He was the ideal man to write on sports. He
had tried his hand at cricket at a maidan
club, Star Sporting, and found that he had very little talent. But he had seen
enough of the maidan life to realize
that the virgin territory needed to be acknowledged in print. His novels and
short stories were full of the real world of Calcutta maidan sport with its awkward scenarios, its challenges, its
corruption, its do-gooders and its fabulous humour.
Motida came into my life under
peculiar circumstances. At Howrah Station, the East Zone team boarded a
first-class compartment on its way to Delhi. Before the train left almost all
the senior players were seen chatting with a man at the platform. I had no idea
who he was and did not bother. As luck would have it, while travelling I met
the man on the corridor outside our coupe. He asked me, “Are you not Raju
Mukherji?” I answered in the affirmative. He continued, “Rather surprising.
Raju is an unusual first name for a Bengali.” I mentioned my actual first name
was Satyabrata and told him that the nickname Rajon became Raju in the cricket
arena!
When I asked him his name, he
mentioned it with a faint, modest smile. I asked him if he was connected with
cricket as most players seemed to know him. He just said, “I happen to work in
the sports department of a Bengali daily.”
Then he asked me to accompany him to the coupe beside mine where his
berth was. We chatted late into the night and most of the conversation was
restricted to my personal life, my academic background and nothing at all about
cricket.
Suddenly the huge frame of Rajan Bala
appeared on the door of Motida’s coupe. “Ah! I see Raju is here. Moti, do not
spoil him. He is my boy.” Motida smiled, “If I have assessed him right, he will
never be anybody’s boy. I have as much right as you have to converse with him.”
I could not agree more. Rajanda – my benefactor in many ways – laughed, “Moti,
you assessment is 100% correct. Ok, Raju, you take my berth and chat with Moti,
I shall go and lie down on your berth.” Matter settled with ease with two of
the finest sports journalists I would ever get to see.
Following day for hours I could not
take my ears and eyes off him. We discussed politics, literature, religion and
finally cricket. He asked, “Have you heard about Neville Cardus?” I nodded, “I
have read all his books.” “How come?” he was really surprised. “Well, my dad’s collection.” It seemed I had
passed the first examination with distinction. As the day prolonged it was
apparent to me that I was meeting a very modest gentleman of exceptional
knowledge and memory.
In that first-class debut of mine
against Bishen Bedi’s North Zone at Feroz Shah Kotla ground, Motida accepted me
with all my superstitious follies. I preferred to bat in a torn shirt.
Everybody discouraged me. But not Motida.
He was softly firm, “If Raju feels comfortable in that particular shirt,
what’s wrong with it? There is no law against it!” A match-winning partnership
with skipper Ambar Roy in a very low-scoring tie settled the matter and I
continued to wear my ‘lucky’ shirt.
He seemed to like my company. We met
often enough over the next decade during Bengal and East Zone matches. We
discussed cricket of course, but more importantly he diverted my attention to
various other topics. Little did I realize then that he was guiding me to
become interested on a variety of subjects.
As my playing days were coming to an
end, one day Motida suddenly asked, “Raju, would you like to be a writer?” I
was truly stunned, “Motida, of course, I would love to but my written Bengali
is definitely not up to the mark. I shall write heeji-beeji.”
“Those are the exact words I want on
ABP sports-page. You just relate the stories as you tell me.”
I was apprehensive, “Do you honestly
think I am good enough to write for ABP?”
He nodded, “Yes, yes, you are a
natural writer. I am very impressed by your articles in various publications.
You just put down in print whatever you want to say in conversational Bengali.
Do not think too much about spelling and vocabulary. I shall do the editing
myself.” For the next 20 years I became
a regular columnist of ABP. The Telegraph, Sportsworld, Desh and Anandamela followed in quick succession
as a freelancer.
One amazing incident goes back to the
1980s. I was covering a match at Mumbai. After sending the day’s report by
telex from the post office, I realized that I had made a minor mistake.
Desperately I tried to contact the ABP office at Calcutta. Those were
non-mobile days. Finally around 10 pm I was able to establish contact with
Motida. Very embarrassed, I apologized, “Motida, I have made a silly error.
Please erase that point.” Moti, as cool as ever, laughed, “Raju, nobody reads
your match reports apart from you! Don’t worry.” Immediately he put the
receiver down. Felt very embarrassed because next morning I would lose my
credibility with thousands of readers. I was very dejected with my stupidity.
More so with Motida’s extremely cavalier attitude.
Next morning to my utter surprise,
that particular point was corrected and an impeccable report was published. How
did it happen? Took me a while to
realize the greatness of this genuine editor. He had the knowledge to identify
my mistake and the magnanimity to rectify it. He had done the job much earlier
than my late evening phone-call. What do you say about this famous
celebrity-novelist who spent time and effort to help a novice find his
feet? How beautifully he signed off and
dented my silly ego.
Motida could be brutally frank,
especially if one tried to be too smart. Once at the ABP office, he ticked off
the ABP editor by saying, “We are discussing CB Fry. Don’t interrupt with other
topics.” The editor tried to reason, “I was trying to say that there are other
cricketers too with Oxbridge background. Tiger Pataudi, for instance.” Motida
flared up, “We are discussing a man who got a first-class in academics, world
record holder in long jump and a double international in football and cricket.”
The editor beat a hasty retreat.
Whatever little I have learnt about
writing has been learnt at the feet of this wonderful human being. He took it
upon himself to shield and guide me. Motida and I would spend hours over rum
and peanuts at the Press Club. He always had four small pegs and no more. He
was very particular that we both would pay for our own ‘drinks’. Excellent
lessons of parameter and perspectives he taught me by sheer personal and
practical examples.
He had very non-conventional
insights. While discussing fame and awards related to writers, Motida was very
categorical, “Trophies, titles, awards, film-themes mean nothing to me. Only
when my books are pirated and sold on road-side stalls and by hawkers at
discounted prices, I feel really happy. That means genuine readers appreciate
me.” This is the forthright Motida at his best.
Another on Moti Nandi will follow
next week. Cannot help it. He was the man who led me into putting thoughts into
paper.
Motida, bhalo thakben. Guru Pronam.
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